|
THE SEDUCTIVE NATURE OF GRAVITY
and the medical repercussions of boredom
NOTE--To forward this newsletter and not have it
go all crazy you must scroll all the way down to the
bottom and use the blue, "forward newsletter" link
on the left provided by constant
contact.
I have been in San Francisco for 2 weeks now (which
explains all the inserted pics from walking around
the city), visiting a dear friend who is undergoing
aggressive
chemotherapy and radiation treatment and so I catch
myself pondering life and the future and all that,
"Why am I here"? (both literally and philosphically),
kind of stuff.
<--So I put 50 cents in this Wizard's coffer at
The MUSÉE MÉCANIQUE last week hoping for
some insight into life or the universe or the coming
new year, but I suspect the slip of paper
that dropped out of the machine was pre-printed and
I felt it unreliable.
I then decided to google "Predictions for 2007" today
and, of the non-doomsday musings, I found a few
snippets interesting:
From OMNI Opinion Poll Results: PREDICTIONS FOR
2007 (From 1987)
"The results of the second OMNI Opinion Poll,
concerning predictions for the year 2007, turned up
some interesting ideas. The least change is
envisioned in terms of religion and the arts, while
progress is seen for the medical and educational
arenas."
Straightforward enough. And yet then
there was this, "Richard Selzer of Yale
Medical School believes boredom will be the major
medical problem of the future." It will be
interesting to see what the medical community
prescribes as the antidote to ennui. In California
medicinal herbs are a commonly prescribed antidote
for the nausea that follows chemotherapy and I
accidentally discovered that a lot of the cookies in
this house are "medicinal". Just tonight I
accidentally found out that even the rice crispie
snacks on the counter are "medicinal" (is nothing
sacred?) and so perhaps
that explains the haircut I gave myself and this
random train of thought.
Still unclear, in a rice crispie kind of way, about
2007 and LIFE, I
turned to my favorite nonagenarian blogger,
Don to
Earth, who starts the new blogging year with a
bit about gravity (excerpted):, "There is a limited
number of ideas that hold up under examination,
however insistent, repeated, or challenging. One of
these, so far, is "Everything in the universe attracts
everything else with a constant and unfailing
force". We know it here as gravity. In our solar
system, the planets zoom about in elliptical orbits
that slowly decay over time. Eventually, the sun
will win and swallow the planets. Further out, all
the stars attract all the others, affecting the
motions of stars within groups of stars (galaxies),
within groups of groups of stars (galaxy clusters).
The attractive nature of stuff, or matter, cannot be
denied."
So gravity is like a totally infallible flirt and the
universe falls for it every time, sometimes to its
detriment, and the medical field will make so much
progress that our biggest malady will be ennui. I
guess I never thought of it in that way
and so I found these posts both comforting and
disconcerting. Not comforting was that bit about
the sun swallowing up all the planets. But since the
arts is one area the Omni Poll sees the least change
in, I guess that means that they won't be swallowed
up by the Sun or fall prey to boredom soon. And so I
have decided that part of why I am here is to miss
being there, which is my usual here. I am feeling
the horizontal, gravitational attraction to going home.
Art Walk Easthampton Rocks On
Saturday, January 13th from 5-8
Art Walk Easthampton Rocks On
This month's Art Walk Easthampton has rock and roll,
folk music and belly dancing performances as well as
spectacular paintings, photographs and
illustrations. Come enjoy the creativity on
Saturday, January 13th from 5-8
PM. All events are free and there's plenty of
parking along the route. Many
locations also host a light reception. Get your
printable, 1-page map to
this month's event at
www.ArtWalkEasthampton.org
Some of January's highlights include:
-- Troupe Sahibat performs Middle Eastern dance on
stage at Pioneer Arts
Center of Easthampton, 41 Union Street. This popular
belly dancing troupe
performs from 5-6 PM only. Arrive early to get a seat.
-- Illustrator Wayne A. Gagnon exhibits "Pen
(revisited)", a collection of
works created from ideas he jotted down while in
various coffee shops in the
Pioneer Valley. Come see what was on his mind and
meet the artist at Manhan
Cafe, 72 Union Street.
-- An artist group show at Easthampton Municipal
Building, 50 Payson Avenue.
Come explore the city hall as a gallery space!
-- Want a little bit of everything? Photography,
oil, acrylic, pastel and
watercolor are all on display in a group show at
Goodlander Gallery, 64
Cottage Street.
-- Artist Julie Thomas presents a collection of
mixed media paintings and
ceramics at the new Pick Your Flick Video store, 74
Cottage Street.
-- Meet artist Joe Costin and explore his dynamic,
bold mixed media works at
Valley Art Supplies, 76 Cottage Street.
-- Artist Twyla Reardon Arthen shows her assemblage
works at Brass Cat, 65
Cottage Street.
-- Vibrant colors and intricate details come from
Shawn Ryder's close-up
photographs of dead and live flora. View the
striking collection of backlit
images and meet the artist at the ReMax office, 78
Cottage Street.
-- Come meet jewelry artist Shauna Gilardi and enjoy
her fluid, contemporary
designs in silver at the Awen Tree, 102 Cottage St.
-- Flywheel Arts Collective rolls out three, live
acts for Art Walk guests!
From 5-6 PM it's "Under The Radar", an acoustic band
with a folk rock and
reggae blend. From 6-7 PM it's the rock and roll of
"Loudmouth" (aka
Jonathan Byerly) playing sax, singing and looping
mouth percussion/bass. And
from 7-8 PM it's "Jenursa", with her original
songwriting played to acoustic
guitar. Flywheel is in the curved, gray building at
2 Holyoke Street.
Each month's participating venues display a large,
yellow Art Walk
Easthampton banner outside. Look for the banners or
print out your own event
guide at
www.ArtWalkEasthampton.org
NATURE AND ABSTRACTION
Ben Jenkins, Photographs, Kate Jenkins, Monoprints and Paintings
NATURE AND ABSTRACTION
Ben Jenkins, Photographs
Kate Jenkins, Monoprints and Paintings
Cooley Dickinson Hospital, Ground Floor Gallery
(come in the new Main Entrance and proceed to
the hallway leading to radiology)
January 1 - February 28, 2006
Opening Event Thursday, January 4, from 4:30 - 6:30
PM
Is a perfect landscape or natural object beautiful
in itself, or is the beauty in its abstract forms,
textures, and colors?. The images in this exhibit
blur the line between representation and abstraction,
moving back and forth between broad landscapes and
close-ups of details in nature.
THIS IMAGE IS NOT PART OF THE EXHIBIT.
I just thought this event needed an image and since
I don't have one for it, I am adding one I took at
Sutro baths yesterday. Then I walked the 65 blocks
home, because the weather is so nice here, it's
almost as warm as it is there.
Voice & Piano Concert at the Northampton Community Music Center
Thursday, January 11
Voice & Piano Concert
On Thursday, January 11, the Northampton Community
Music Center will continue its Faculty Duo Noontime
Concert Series with a concert by faculty
members Cathy Kay, soprano, and Ed Rosser, piano.
The concert will be held
at 12:30 pm in NCMC's Recital Hall. Suggested
donation is $5 per person.
Call 585-0001 for questions or more details.
THIS IS NOT THE NCMC. Just dressing up another post
with a random image from my camera.
The Artisan Gallery shows Hayne Bayless
Opening Reception Friday, January 12, 5-8
The Artisan Gallery at 162 Main Street,
Northampton (413-586-1942), is pleased to announce the
opening of an exhibit of the award-winning, hand
built ceramics of Hayne Bayless.
As a full time potter for the past 15 years, Hayne
has an envious list of awards including: the Grand
Prize, Worcester Center for Crafts, Award of
Excellence, Smithsonian Craft Show, and Philadelphia
Museum Craft Show, Best Ceramics in Show.
Another indication of the esteem in which his work
is held is the long list of books and publications
that reference his work. Books include: Design
Language, Interpretive Edition, Tim McCreight, 2006;
Objects for Use, Paul J. Smith, 2001; and the Art
of Contemporary Pottery, Kevin Hluch, 2001. The
periodical list includes: Studio Potter, American
Craft, Ceramics Monthly (10 times), Clay Times and
many others.
He has also garnered a reputation among his peers
and the craft knowledgeable public as one of the
most accomplished ceramic artists working today.
This is a wonderful opportunity to see the work of a
contemporary ceramics master.
His work will be on exhibit Friday, January 12
through Sunday, February 25
Opening Reception with the artist during Artwalk:
Friday, January 12, 5-8
ARTIST’S STATEMENT
My work in clay draws on my desire to make everyday
objects that go beyond everyday use. Function is as
much a part of their value to me as any aesthetic
concerns. How my pots work is at least as important
to me as how they look or how they feel.
The pots are not so much about balance and harmony,
although that does happen, but more about tension. I
love what spawns in the friction between what I want
the material to do and what it would rather do.
The unintended result, often misread as a mistake
and so dismissed, is one of the most fertile sources
of new ideas. The trick is not to fool with clay’s
inherent desire to be expressive. Pay attention to
the clay, not only for the sake of each piece, but
because the clay will “offer” or “impose” its own
suggestions of new forms and ways to work.
I like what Constantin Brancusi wrote in 1927: “Each
material has its own life ... we must not try to
make materials speak our language, we must go with
them to the point where others will understand their
language.”
The techniques of hand-building let me take
advantage of clay’s ability to capture gesture and
movement, its power to record processes. I’m
intrigued by what happens when clay is rolled,
stretched, pressed, incised, inlayed, extruded,
bent, cut and put back together.
I get lots of inspiration from Shang and Zhou
Dynasty ritual bronzes, Jomon-period pots, English
and Colonial silver, pewter and tinware,
contemporary architecture and sculpture, Andean folk
music and 1960s rhythm & blues. The common thread
running through these disparate sources is a love of
form, rhythm and a delight in disregarding limits.
--Hayne Bayless
The Artisan Gallery is located at 162 Main
Street, Northampton. 413-586-1942
BRUCE FOWLER & JOZAN TRESTON @ GALLERY A3
Reception and Amherst Art Walk: Thursday, January 4, 5-8 pm
Bruce Fowler and Jozan Treston at Gallery A3
Bruce Fowler collects and combines objects
for his assembled works that express personal vision
or social irony. He often mixes children’s toys and
adult inventions, creating a satirical relationship
between objects. So a little red wagon, outfitted
with a trigger that ignites a smoking engine,
becomes the artist’s objection to the attitudes and
behaviors that threaten and soil our
environment.
Jozan Treston’s current work is a personal
exploration of the human form and the experience of
healing from physical illness. This series evolved from
drawings Treston made while recovering from heart
surgery. Abstracted images of the body were a
visual part of his healing meditations that he has
continued to explore in graphite and paint.
Exhibition dates: January 4 through January 27
Reception and Amherst Art Walk: Thursday, January
4, 5-8 pm
" Conversations with Artists”, Thursday, January 25
from 7-9 pm
Gallery A3, 28 Amity Street, Amherst
Phone: 413-256-4250
Hours: Wednesday – Sunday, 12-6 pm
What’s Left: Working Sessions and Collaborations
A.P.E. Performance Space
A.P.E. Performance Space
Third Floor/ Thornes Marketplace
150 Main St., Northampton
Information: 413.586.5553
What’s Left: Working Sessions and Collaborations
With David Hurwith, Jamm Leary, Gordon Thorne,
Michael Tillyer
PUBLIC is INVITED at 5 pm: January 19, January 26,
February 2
FREE
I was inspired to initiate and organize this event,
Working Sessions
and Collaborations, by the transition in the
relationship between
Thornes Marketplace and the APE Gallery and
Performing Space. It is
important and special that there is a place for
artists to work not
in isolation, but in the center of the commercial
and social life of
a city. This adds to the vitality and uniqueness of
Northampton.
Also, I heard of the time when people worked on the
Third Floor
without so many walls and the collaborations that
evolved from the
collegial happenstance of seeing each other while
working. Instead
of lamenting or pining away I thought let’s offer
the public the
opportunity to see artists working and here we are
. . David Hurwith
"Reading Movement" - Benefit dance performance for Contact
Quarterly Magazine
Friday, January 12th, 7:30 pm
"READING MOVEMENT" - a benefit dance performance
for Contact Quarterly magazine is happening at
A.P.E. in Thornes' Marketplace,
150 Main St. Northampton, on Friday evening, January
12th, at 7:30 pm.
Come support a great local journal while being
turned on to the work of a dozen seasoned
dperformers who have each contributed innovations
in the moving arts for many years.
The spectrum of performers includes both artists
from the Western Massachusetts as well as from New
York and Vermont: Susan Sgorbati and Dana Reitz
(from the Bennington College Dance Faculty), Paul
Langland (NYC - long standing member of Meredith
Monk's Company),
Daniel Lepkoff (NYC - one of a few developers of
Contact
Improvisation since 1972), members of Bill T.
Jones/Arnie Zane Dance
Company performing an excerpt of an early duet,
David Hurwith -
independent choreographer and improviser, Christina
Svane and others.
The evening will end in a reception with wine and
snacks so performers and audience can relax and
enjoy good company in the aftermath of what
promises to be an inspiring event.
Seating is limited so reservations are advised:
(413) 586-5553. Tickets are $15 for
seniors/students, and $20 general price, (though
extra donations
are welcome!). All the performers are donating their
work, and all profit goes to support the magazine,
a performing arts journal that has been based in
Northampton since 1978, and provides both a forum
for new ideas in movement arts and a global moving
arts community meeting ground.
For further information please contact: Christina
Svane,
413-247-9454, csvane@comcast.net.
RED HORSE PRESS AT OXBOW GALLERY
January 11th to the 28th
Red Horse Press At the Oxbow Gallery
A printmaking exhibition from the members of Red
Horse Press Etching studio
in Eashampton's Eastworks building at Northampton's
OXBOW GALLERY located at
275 pleasant st.
Opening Fri, January 12, 5-8 PM
Come on Down!!!!
The show runs from January 11th to the 28th
Hrs:th-sun 12-5 fr 12-8
For more info:
www.redhorsepress.org
JANUARY EVENTS AT THE NCA
Pictured: Pitts (l) and Patterson star in play
~~Sunday and Monday, January 14-15: The play,
"Paul Robeson," in honor of Martin Luther King Day,
tells
of the achievements and legacy of Paul Robeson, a
life-long activist who spoke out forcefully for
equality for all. Robeson, who is played by
well-known local musician, Floyd Patterson, Jr., was
legendary as a scholar, athlete, actor, singer and
humanist who fought for human rights for all people.
Performances of the play, which was written by
Phillip Hayes Dean, will be
January 14 at 7:30 p.m. and January 15 at 2 p.m. It
is being produced by the Center in association with
Irene Thornton. Tickets ($10 for students; $12 for
seniors; $15 for the general public) may be reserved
by calling the Center (413) 584-7327.
~~Monday, January 15, 6 to 9 p.m.: Youth Leadership
in the Arts will host its fourth Youth of Color and
Allies networking event as part of Northampton’s
celebration of Martin Luther King Day. The event is
open free to the public and includes group-building
activities, food, a talent showcase and a dance
party DJ’d by YLA alumnus Raul Matta. Folks will be
invited to make a donation to assist with costs.
~~Tuesday, January 16, 10:30 a.m.: The Lisa
Leizman Dance Company will answer the question "What
is Dance?" in January's installment of the Young
Peoples'
Performing Arts Series. The group will offer a
variety of short pieces, including selections from
"Sleeping Beauty" and more whimsical favorites, to
children from 2 to 6 years old.The dances will
suggest, says Leizman, that “dance is kicking up
your heels in your sparkly shoes, turning yourself
into amazing shapes, clapping your hands in rhythm or
pretending you’re a bird, a lemur or a starfish.”
Children get in free to these 45-minute
shows. They're on the third Tuesday of each
month. A $5 donation from accompanying
adult is gratefully received.
~~Monday, January 22, at 6:30 p.m. Anastasia
Christie starts a new series of ballroom and Latin
dance classes that will run on Mondays through
February 26. A choreographer as well as a teacher,
Christie has 17 years of dance experience and has
been a prizewinner in many ballroom competitions in
Russia and Europe. Ballroom dance classes are from
6:30 to 7:30 p.m.; Latin from 7:30 to 8:30; and
Latin, level 2, from 8:30 to 9:30 p.m. For further
information and fees, go to her Web site
www.socialdanceschool.com/
~~Friday, January 26, 7 to 10:30 p.m., the
Northampton Youth Commission will sponsor the Main
Event Benefit Concert to raise money for the
creation of a youth center serving middle school
students in Northampton. “Bullseye,” “NorWhale”
and “Stand Up Get Down,” three student bands, chosen
by members of the Youth Commission from a pool of
applicants, will play. Admission is $5 The
Northampton Youth Commission is a group of young
people between the ages of 13 and 18 whose goal is to
explore issues of concern to their peers and work
toward solutions for those issues. The concert has
been planned by, staffed by and created by young
people interested in this project.
The Northampton Center for the Arts is on the third
floor at 17 New South Street in the Sullivan
Building of the Old School Commons. Its office and
galleries are open Tuesday through Friday from 11
a.m. to 4 p.m.
For lots more about ongoing programs, renting the
space, etc., visit our Web site,
www.nohoarts.org
Wistariahurst Museum Presents Fine Art and Instruments
Paintings of the Belle Skinner Collection By David Barclay
Wistariahurst Museum Presents
Fine Art and Instruments:
Paintings of the Belle Skinner Collection
By David Barclay
January 6 to February 26, 2007
Opening Reception
Sunday, January 7 from 2 - 4 p.m.
This is an exhibit of David Barclay’s paintings
inspired by an exceptional collection of antique
musical instruments belonging to Wistariahurst owner
Belle Skinner. While the instruments themselves are
now in the collection of Yale University, this exhibit
brings striking images of them to their former home at
the Wistariahurst Museum in Holyoke.
Also on display will be photographs of other
instruments in the Skinner Collection, taken by Claire
Barclay (David Barclay's daughter, who is currently a
student at the SPEOS Institute of Photography in
Paris, France).
The Wistariahurst Museum is located at 238 Cabot
Street in Holyoke MA.
SPECIAL THANKS TO REALLY SPECIAL PEOPLE
SuperFriends of Jamoka and this newsletter.
Special thanks to the following for donations to
this newsletter and to help defray the costs of
Jamoka's hospitalization and treatment.
People just blow me away sometimes.
Pics from
the Jamoka memorial Bonfire thing, by
Jon Whitney.
If I somehow missed anyone please let me know. I get
scatterbrained lately.
<--Image courtesy of Anna Slezak.
DEBIN BRUCE I somehow forgot to list Debin's
extremely generous contribution till now.
SUSAN BERGERON-WEST
CHARLES STERN
JANET FRAIDSTERN
MAUREEN DENNING AND CHARLES ENOS
LARRY SLEZAK
TERRY ROONEY
ANNE BURTON
DEAN NIMMER
BILL MYERS
KATHLEEN TRESTKA
ANITA HUNT
KATHY SERVICE & TIM DECHRISTOPHER
DAVID SMITH
JEFF MACK
LYNN PETERFREUND
BRADLEY FOX
KAREN AXELROD
AACO (AMERICAN ARTS COLLECTIVE ORGANIZATION), In
memory of our artists friends who were victims of
AIDS and in honor of Aids Awareness Day, December
1st
KELSEY FLYNN
LYN HORAN
HILARY PRICE & KERRY LABOUNTY
BRONWEN HODGKINSON
BRIANA TAYLOR
DORIS MADSEN
BETSY DAWN WILLIAMS
MARY WITT
JOAN AXELROD-CONTRADA
MAUREEN DENNING AND CHARLES (Donation made to Humane
Society in Jamoka's name)
DARYL LAFLEUR
DWIGHT SMITH'S MOVIE PICS
Die Große Stille (Into Great Silence) (2005)
Die Große Stille (Into Great Silence) (2005)
Directed & written by Philip Gröning
In Latin & French with English subtitles
If there is any doubt as to the great spiritual
thirst that prevails in the West, "Into Great
Silence" should dispel them. For 162 minutes there
is no sound other than ambience, no narration, a few
minutes of dialogue, nothing more than the daily
round of Carthusian monks inside the Grande
Chartreuse which amounts to a deafening silence and
people everywhere are lining up for hours to see it.
Here in Montreal, the ex-Catholic capital of the
world, they¹ve had to add extra screenings and still
one must purchase their ticket
hours ahead of time. In Germany, according to the
director Philip Gröning, it has become a cult film
with film goers returning up to seven times and
where it topped the charts as the highest grossing
film for weeks on end.
So what is it that has made this film so
compelling?
Over the past few years, films with a spiritual
message have created their own niche. "What the
Bleep?²", "The Da Vinci Code.", "The Celestine
Prophecy",
"Conversations with God.", "The Secret.", Most of
them failing abysmally to satiate the mounting
thirst for something vital and meaningful. But something
about this desire to sit in a movie theatre in near
absolute silence watching something as thrilling as
paint drying twigged my curiosity. While I felt that
it could have been about half an hour shorter, I
felt of all the
'spiritual' films I've seen, this one stands apart.
It isn't a film that is trying to explain anything.
No experts. No pontificating. No thrilling spiritual
mysteries. On the contrary, it is a film that allows
the viewer to become immersed and live the film as a
personal experience. In an interview with Gröning
that he gave at Sundance in 2004, he said that he
sought to make "a film like a cloud . . . a film
that, more than depicting a monastery becomes a
monastery itself." Between the stunning visuals and
the contemplative rhythm of the editing, I feel that
he managed to pull it off.
I think what gives this film its strength and force is that
it was made by an artist who was willing to give himself fully
to the creative process. Gröning had planned this film since
1984 and seventeen years later he got permission from the monks
to go ahead. It meant living himself in the monastery for six
months making the film without a crew, without a sound system
or artificial lights. Again, in the words of the artist, doing
this film coincided with his belief that art is a transformational
process. It¹s like the black spaces between the frames that
we know are there but we don't see, this certain element in
a piece of art which I like to call the soul of the piece that
makes it what it is, something extraordinary and deeply moving.
RESOURCES FOR ARTISTS
|
Valley Entrepreneurs! Our service area just expanded!
Valley CDC can help you:
Explore your business ideas, Market your art,
products & services, Identify new markets, Get more
customers,
Write your business plan, Explore financial viability,
Improve business operations, Seek financing, and
more.
Free Business Counseling ?! Starting a business?
Need more business? Let us help! It's what we do.
Now serving ALL Amherst, Hadley, Northampton &
Easthampton businesses with 20 employees or less. No
income restrictions. We deliver more. Call for a
confidential appointment today! 413 529-0420,
ValleyCDC.com
Funded by MA Commonwealth's Dept. of Business and
Technology-SBTA Grant, the City of Easthampton through
the MA Community Development Block Grant -Ready Resource,
the City of Northampton-CDBG Program, and Florence
Savings Bank.
|
CALLS FOR ARTISTS AND OPPORTUNITIES
Deadline February 1, 2007 The *Artist in
Research* program seeks to support artists involved
in the early stages of projects that require
investigation, dialogue, and support from an
artistic community. The AIR Program is particularly
interested in working
with artists whose work explores contemporary and
experimental genres such as electronics, sound,
installation, performance, film, video, and other
time-based media. The AIR Program supports projects
that have already been conceptualized, but need
time, money and critical feedback to complete.
This residency is most appropriate for individuals
or groups who wish to explore the potential for
collaboration and creative exchange with peers
working in a wide range of media. Regularly
scheduled critiques, open studios, closing events
and our web forum provide residents with
opportunities for critical feedback from curators,
artists, scholars and members of the public. Artists
in Research are encouraged to focus their efforts on
exploration and the processes of innovative
art-making rather than the completion of a finished
product.
Please visit the "AIR" section of
www.berwickinstitute.org
to learn more
about past AIR artists and
the types of
projects we are interested in and are able to support.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Deadline February 5, 2007 SEEKING ARTIST'S
PROPOSALS
FOR SUMMER RESIDENCY As a
Blue Sky Project Artist-In-Residence, you will
cross-pollinate with
other practicing artists, collaborate with teens,
expand your ideas
and add artistic breadth and depth to the McHenry County
community. Artists gather for eight weeks from
mid-June to mid August
in McHenry County, located 60 miles from downtown
Chicago. Your recent
studio practice and new ideas should provide the
foundation for your
activities. Stipend: $6000 Additional $1000 working
budget per
project, that does not go to the artist, for
supplies, materials to
implement project, etc.. Does not include costs
associated with
preparing project for exhibition, which are covered
by the
project. Deadline for application is February 5,
2007. Contact: Blue
Sky Project OR http://www.blueskyart.org
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Deadline September 1, 2007 INTERNATIONAL
ARTISTS RESIDENCY
PROGRAM Seeking visual
artists, writers, and composers for 2-, 4-, 6-, and
8-wk-long
residencies, Jan 1 - Jun 15, 2008. Free housing and
studio space and a
$100/wk stipend. For application and complete
guidelines please
contact: Kimmel Harding Nelson Center for the Arts,
801 3rd Corso,
Nebraska City NE 68410 OR 402-874-9600 OR
http://www.KHNCenterfortheArts.org OR
info@KHNCenterfortheArts.org
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
MARK YOUR CALENDARS: JOIN TRANSCULTURAL EXCHANGE
IN BOSTON FROM APRIL 27 TO APRIL 29, 2007 FOR THE
CONFERENCE ON INTERNATIONAL OPPORTUNITIES IN THE
ARTS
http://transculturalexchange.org/conference_2007.htm
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Deadline Februray 15, 2007. Bazaar
Productions/The Berkshire Fringe is now
accepting submissions of dynamic works of theater,
dance and mutli-media performance for its 2007
season. The third annual festival held in Great
Barrington, MA will present 21 days of original
performances, free workshops, and artist discussions
by and with emerging artists from across the United
States. The Berkshire Fringe provides a unique
opportunity for emerging and early-career artists
from around the country to present work in a fresh
and exciting atmosphere.
Founded in 2003 by a cohort of Berkshire natives and
graduates of Simon's Rock College, Bazaar
Productions, Inc (Sara Kathryn Katzoff, Timothy Ryan
Olson and Peter Wise) aims to fill a growing need in
the community for exciting new work at affordable
ticket prices. The Berkshire Fringe continues to
grow into a bustling community and has featured more
than two dozen new works and events that have
blended genres, represented new styles, and delved
into traditions underrepresented in the mainstream.
In 2007 the festival will take place during July and
August and will invite six companies or individuals
to participate. Performers from all backgrounds and
disciplines are strongly encouraged to apply. Bazaar
Productions is also dedicated to focusing funds and
resources to create an exemplary experience for all
participating artists. The festival is scheduled so
that performers can see each other's work, can
participate in each other's workshops and can share
ideas and experiences. These initiatives establish a
center for artistic exchange while providing
accessible, affordable and unparalleled cultural
enrichment to the community.
Perspective or interested applicants may visit
www.berkshirefringe.org for more information and
to obtain an application. Inquiries can be answered by
e-mailing co-artistic director Sara Katzoff at
sara(at)berkshirefringe.org or calling the offices
of Bazaar Productions at (413) 320-4175. The
deadline for applications is Februray 15, 2007. All
applications must be received by February 15, 2007.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Deadline
- Ongoing *Three Rivers Community College Reviewing
Work for Exhibitions, CT Three Rivers Community
College in Norwich Connecticut is accepting portfolios
to review for 1-to-2 month exhibitions. No fee. For
consideration, sent 10-20 slides, resume, statement,
and return postage to: Sandra Jeknavorian, Instructor
of Art, Three Rivers Community College, Thames Valley
Campus, 574 New London Turnpike, Norwich CT, 06360 /
SJeknavorian@trcc.commnet.edu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ongoing GALLERY A3 SEEKING NEW MEMBERS- SUBMIT
ONLINE FOR ART WALK EASTHAMPTON
Art Walk Easthampton, a monthly, self-guided walking
tour of arts and culture, has added a proposal page
to its website where visual, music and performance artists
can outline what they would like to show or perform
if given the opportunity.
All the locations that participate in Art Walk Easthampton
can view the submissions for possible inclusion in an
upcoming event. The talent describes the work, provides
images, identifies the types of venues they would like
to be in, the dates they are available and provides
contact information. If there's a match between the
submission and the venue's interest, the venue contacts
the talent directly to handle booking arrangements.
The proposal form is available at
www.ArtWalkEasthampton.org and is open to all local
and regional artists.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ONGOING
An offer from Joe Blumenthal of Downtown Sounds who
generously would like to have artists display their
work there. (Downtown Sounds, 21 Pleasant St., Northampton,
next to the Pleasant St. Theater)
The window is quite large, and has three panels, each
one about 6' X 6', and is about 24" deep. It is exposed
to intense sunlight in the morning; the heat of the
sun plus the narrowness of the window make it inappropriate
to display most musical instruments.
However, the sunlight doesn't hurt most artwork since
it's only exposed for a month to six weeks. I normally
pay $150 to the artist who installs the window, and
work out a consignment agreement for the store to take
a percentage of the price if the art is for sale and
we manage to sell some of it.
The artwork can be freestanding, lean against a wall
at the back of the window that's about three feet high,
or (if it's not heavy) be hung from the ceiling.
It's great when the art can have a musical theme, but
it's not necessary. Because of its highly visible commercial
location, the work should have a mainstream appeal and
not have themes which could be offensive. Small pieces
don't work well since the window is so large.
If one of your readers is interested in displaying in
this context, please have them contact me via email:
musician@downtownsounds.com, or via phone at 413- 586-0998.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ONGOING.
New York City Department of Cultural Affairs + Image
Registry The New York City Department of Cultural Affairs
(DCLA) is the largest public funder of arts and culture
in the country. The Percent for Art artist slide registry
is an up-to-date and important component of the Program.
The registry is consulted by the architects, panelists,
and City agencies for each project. The Percent for
Art staff prepares a slide presentation from the registry
for each panel meeting. The registry is open to any
professional visual artist residing in the United States.
Deadline: On-going Information:
www.nyc.gov/html/dcla/html/panyc/ slide_reg.shtml |
LINKS TO PEOPLE AND STUFF
TO MAKE A DONATION OR SPONSOR THE NEWSLETTER
|
Unfortunately due to stuff I can't comprehend, the
PayPal button has to say, "Buy Now", rather than
"donate". I want it to say "Hello
Sweetheart!"
Anyway--thanks for your support!
If this button does not work you may have to try
another browser. sigh. You don't really get Tammy
Faye's album. I just liked her picture.
Show Postcards and the like can be mailed to:
Mo Ringey
PO Box 6109
Holyoke, MA 01041-6109
I think a lot of people still have my old arts &
industry address as postcards get forwarded to me
but I think that may expire soon.
THIS NEWSLETTER IS BROUGHT TO YOU IN PART BY THE
NORTHAMPTON ARTS COUNCIL
USD
|
CLASSES
|
PATRICK DONNELLY POETRY WORKSHOPS
TWO WORKSHOPS, SPRING 2007
WORKSHOP #1:
POETRY PERFORMANCE WORKSHOP
10 meetings: 2/17 - 4/21
SATURDAY AFTERNOONS, 2 - 4 PM
A.P.E., Third Floor/Thornes Market
150 Main Street
Northampton, MA
This workshop will focus particularly on building
the oral skills to read poetry aloud in public, BUT
will include activities and exercises designed to
foster both the writing and reading of poetry. This
workshop will conclude with a reading by
participants on April 21st, to which the public will
be invited.
WORKSHOP #2:
POETRY WRITING WORKSHOP
10 meetings: 2/22, 3/1, 8, 22, 29, 4/5, 12, 19
THURSDAY NIGHTS, 7 - 9 PM
SOUTH DEERFIELD, MA
plus: 2 SATURDAY AFTERNOONS, Generative Writing
Session, 3/17 @ A.P.E in Northampton, 1 - 4 PM
Special Extended Session, 4/28 in South Deerfield
2 - 5: 30
Each week, the format of the workshop will include:
--a short discussion on a topic of poetic craft;
--discussion of members' own poems;
--some outside reading.
Cost of each workshop: $300 ($30 per session)
INSTRUCTOR: PATRICK DONNELLY, an Associate Editor at
Four Way Books, has
taught writing at Smith College, New School
University, Clark University, and the
Bread Loaf Writers' Conference. His collection of
poems is The Charge (Ausable
Press, 2003).
To register, contact: PatrickSDonnelly@aol.com
56 Hillside Road, South Deerfield, MA 01373-9770
413-665-3325
|
|